FOR IMMEDIATE RELEASE
Arts & Cultural Engagement Manager
(612) 455-9537 (612) 235-4976
Dale B. Stark
Hennepin Theatre Trust
Public Relations Manager
“The Return,” a digital illustration/animation by Jonathan Thunder,
represents sovereignty, strength and hope.
NACDI and Hennepin Theatre Trust collaborate to launch We Are Still Here, an initiative to uplift Native voices in the Hennepin Theatre District With support from the McKnight Foundation, organizers will create an ongoing framework for ongoing public art and placemaking projects
MINNEAPOLIS (Dec. 8, 2020) — Hennepin Theatre Trust today announced a collaboration with the Native American Community Development Institute (NACDI) to launch We Are Still Here, a multi-year initiative to uplift Native voices and stories in Minneapolis. With grant funding through the McKnight Foundation, We Are Still Here will bring large-scale, high profile public art by emerging Native artists to both downtown Minneapolis and the American Indian Corridor. The art highlights contemporary Native culture while dispelling stereotypes. The initiative will also establish a sustainable framework for ongoing engagement among Minnesota’s First People, the Trust and other downtown Minneapolis stakeholders.
The 18 to 24 month initiative will be a learning cohort featuring three Indigenous artists. They will work with project mentor Jonathan Thunder to create digital designs, full motion animation, projections and a possible large-scale mural. We Are Still Here will promote Dakota storytelling for the built environment along Hennepin Avenue through pilots and prototypes. The initiative will culminate with a final project as a central feature for the reopening of Hennepin Avenue following a four-year reconstruction project and the Hennepin Theatre District centennial celebration in 2022. Organizers with NACDI and the Trust are looking to build social capital among participating artists and stakeholders to ensure that future collaborations continue to unfold and generate a deeper presence for Native culture in downtown beyond the life of the project.
Engaging with Native artists and community has been the mission of NACDI since its founding in 2007 and the early creation of the “American Indian Community Blueprint” in 2010. Angela Two Stars, NACDI’s All My Relations Arts director shares, “By interweaving contemporary and traditional storytelling, and the allyship of Indigenous communities here in the Twin Cities, we are able to connect the Dakota history of the land and continued connections to our past using the powerful visuals of our contemporary artists.” NACDI’s long-standing commitment to public engagement has enabled them to be a source of leadership and guidance among its network of Native artists and community. “We at NACDI are excited to uplift the creative voices of the selected cohort members alongside their esteemed mentor to continue to highlight the visibility of Indigenous presence through art,” said Two Stars.
NACDI promotes economic improvement by emphasizing capacity building at the community, organizational and individual levels to support Native people to build a future they envision for themselves. As a community leader, NACDI guides the community's vision of establishing a Native-led economic engine called the American Indian Cultural Corridor on East Franklin Avenue in South Minneapolis with Native arts and culture being key strategies. They also own and operate All My Relations Arts Gallery, one of the region’s premiere contemporary galleries that has launched careers for many Native artists and arts professionals. NACDI is Native-run and led with over 80% of its staff and board of directors having Tribal affiliations.
In the Hennepin Theatre District, the Trust transforms the spaces along Hennepin Avenue to a more vibrant and inclusive environment through its public art projects and programming. “We are looking forward to collaborating with NACDI to broaden the awareness of Native truth-telling and working together to create a system enabling continued public art and placemaking efforts,” said Mark Nerenhausen, president and CEO for the Trust. Nerenhausen said that We Are Still Here will be a catalyst to weave Native culture back into Hennepin Avenue, connecting the District’s community to arts and cultural experiences in unexpected places.
As the Trust prepares to celebrate the District’s centennial in 2022, Joan Vorderbruggen, director of Hennepin Theatre District engagement, envisions a future that recognizes the significance of Hennepin Avenue as a Dakota foot trail that predates the city from the river to the chain of lakes. She said, “Ushering in the next 100 years provides a meaningful opportunity to celebrate the history of Hennepin Avenue, not just as a theatre district, but also its origins on Dakota land so that a more inclusive history can be shared.” We Are Still Here enables a collaborative energy to spark creativity and reflection among local artists to share their voices, cultures and life experiences.
NACDI and Hennepin Theatre Trust selected local Native artist Jonathan Thunder as the cohort mentor for We Are Still Here through an open call for artists. “As a culture-bearer, working in contemporary media, Jonathan is the ideal mentor for this group as he brings a wide range of skills from large-scale painting to digital animation and installations,” said Angela Two Stars, All My relations Art Director. Thunder (Red Lake Ojibwe) is a multi-disciplinary artist known for the surreal imagery he uses to address the subjects of loss and recovery of Indigenous sovereignty, environmental welfare and humorous social commentary through his paintings, animated and experimental films, installations and illustration work. He has attended the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico, and studied visual effects and motion graphics in the Art Institute International in Minneapolis.
His work has been featured in state, regional and national exhibitions, as well as in local and international publications since 2003. He is also a 2020 Pollock-Krasner Foundation grantee. "Working with NACDI and Hennepin Theatre Trust is an exciting opportunity in itself, given their roles in the Twin Cities,” said Thunder. “And what is even more exciting to me is the chance to work with like-minded artists with the goal of discussing and developing themes, imagery and intent, implemented through digital processes of design and animation.”
All My Relations staff, along with Thunder, reviewed artist submissions and selected three Native artists to complete the cohort. The artists are Ray Janis, Sheldon Starr and Missy Whiteman.
Raymond Janis (Oglala Lakota Tribe) goes by the artist name of Ray Rock Boy. Rock Boy is an enrolled citizen of the Oglala Lakota Tribe on the Pine Ridge Reservation. He grew up in the Medicine Root District also known as Kyle, South Dakota. Rock Boy is influenced by his Lakota heritage and western society blending the two cultures and letting his art develop and move where it wants. Rock Boy is a student of the Graphic Design major program at Oglala Lakota College. He is studying from two masters in their respective fields Keith Brave Heart and Marty Two Bulls Jr.
Sheldon Starr (Oglala Sioux Tribe) is a painter, graphic designer, comedian and guitarist. Graduating from Oglala Lakota College with a degree in Graphic Arts, Starr continues to utilize his graphic design experience in the freelance and commission-based fields, creating custom graphics, logos, and text for clients. Sheldon sows his creative freedom through abstract paintings based on geometric subjects and the female form, paying homage to the traditional Lakota geometric designs and the aesthetics of the 1980s. Sheldon's home center was the He Sapa Center in Rapid City, SD.
Missy Whiteman (Northern Arapaho and Kickapoo), an Emmy-nominated writer, director, producer and multi-media artist. Whiteman understands her work to be a voice for her ancestors, their stories and ancestral wisdom. Her late father, Ernest Whiteman, influenced her work, with the gift of artistic vision and practice of art as ceremony.
While based in part Indigenous traditional practices and perspectives, her work also addresses themes of historical genocide, loss of culture, and land in relation to colonization. Whiteman questions the connection of life, death spirit world and the rebirth process of revitalizing DNA memory, spirit healing and redefinition of cultural identity. Many of Missy’s films have screened on international national and local venues.
For the launch, the cohort assists their mentor on several digital billboard designs and learns about the
field of public art. Artists will learn skills to translate artwork from analog to digital media and the various
platforms and venues that the Trust offers (outdoor events, mobile stage, digital billboards, storefront
installations, murals, gallery exhibits and more). While the details of activities will evolve with the interests of the artists and in line with public health regulations, the timelines will include milestone touchpoints building to a final project that will be featured as part of the Hennepin Theatre District’s centennial celebration in the fall of 2022.
Throughout this process, Thunder will provide the project artists continued mentorship on creating public art for digital media, determining joint projects for public spaces along Hennepin Avenue and providing feedback and evaluations. Ultimately, the cohort will design and implement solo art designs, a gallery installation and the creation of a crown jewel project built on their successes. That project will be unveiled in the District when Hennepin Avenue reopens in 2022 after four years of reconstruction. Aside from the technical aspects of developing public art, We Are Still Here is meant to equip the artists to create opportunities for community engagement beyond the artists themselves.
This activity is made possible by the voters of
Minnesota through a Minnesota State Arts Board
Operating Support grant, thanks to a legislative
Appropriation from the arts and cultural heritage fund.
Native American Community Development Institute (NACDI) Our work is founded on the belief that all American Indian people have a place, purpose and a future strengthened by sustainable community development. NACDI initiates projects that benefit the Native community, often in partnership with other Indigenous-led organizations. Our future is bright due to the resilience and vision of our ancestors. Founded in 2007, NACDI is approaching its second decade with a renewed commitment to the Indigenous values that helped our people persevere despite centuries of hardship.
Hennepin Theatre Trust drives cultural and economic vitality in Minnesota through leadership of the dynamic Hennepin Theatre District in downtown Minneapolis and educational programming that reaches every area of the state. Its historic theatres — Orpheum, State and Pantages — and event center at 900 Hennepin Avenue light up Hennepin Avenue with top-tier entertainment, including the best of Broadway and a wide variety of arts programming. Hennepin Theatre Trust is a nonprofit 501(c)(3) organization. Learn more at HennepinTheatreTrust.org.
To access press materials and photos, please visit:
Four Sister Farmers Market Position for
Assistant Market Manager (Part-time seasonal)
Posting Date: 6/10/20
Hours: Every Thursday 10 am- till the market site is cleaned and put away. Hours may vary. Not to exceed 20hr/week.
Rate: $20/ hr
The Assistant Market Manager will assist the food access team at the farmers market and the food pantry. The goal of the food access team is to get healthy food into homes and on to plates. We do this by providing access to food and education around nutrition and meal preparation.
Message from MUID Officers Regarding the Twin Cities Curfew:
HONOR THE 8:00PM CURFEW TONIGHT!
Saturday, May 30, 2020
To Our Relatives
From the Officers of the Metropolitan Urban Indian Directors
HONOR THE 8:00 PM CURFEW TONIGHT!
It has been humbling and an honor to see how our community has responded to the murder of George Floyd at the hands of the Minneapolis Police. As a community that has suffered much from the Minneapolis police and other law enforcement, we stand with our African American relatives, and all communities, to demand justice for George Floyd. And for an end to the racist and abusive culture in the Minneapolis Police Department. We respect those lifting up their voices in peaceful protest.
The movement for justice in our city and state has been infiltrated by outside forces who have no interest in injustice. They are here to cause division and destroy our communities. These outside agitators have grown stronger, and are putting our people and communities in danger. This threat is so great that Governor Walz and Lt. Governor Flanagan are asking people to HONOR THE CURFEW AND BE HOME BY 8:00 TONIGHT.
The Governor has made it clear that tonight there will be a coordinated and aggressive effort by law enforcement and the National Guard to put a stop to these people who want to destroy our neighborhoods and cities. It will not be safe for our people to be at demonstrations, protests or riots after 8:00 PM tonight, even as observers.
Please leave any demonstrations before 8:00 PM. Protect your community, your home, and protect your family. We need every one of you to be safe and alive tomorrow to continue our fight for justice.
Pilamaya and Miigwech,
Robert Lilligren, MUID Chair, email@example.com
Mary LeGarde, MUID Vice Chair, firstname.lastname@example.org
Kit Fordham, MUID Secretary/Treasurer, email@example.com
Read the MUID Statement Regarding the
Police Killing of George Floyd
May 27th, 2020
To All Our Relations -
This letter has been written on behalf of the Metropolitan Urban Indian Directors Group (MUID) – a collaborative of some thirty American Indian organizations operating within the Twin Cities metropolitan area of Minnesota (please see the attached organizational listing). The purpose of this communication is to state our collective response to the tragic death of George Floyd on Monday, May 25th, 2020.
In no uncertain terms, the membership of this collaborative strongly condemns the murder of one of our fellow citizens, at the hands of the Minneapolis Police Department. Furthermore, MUID condemns the ongoing and systemic racist ideologies that continue to run strongly through the department like a virulent and lethal pathogen. This disease of spirit is actively polluting the minds of some of the rank and file to the point where they are no longer able to perform their taxpayer-funded jobs with any degree of professionalism, or with any legitimate capacity to restrain themselves from brutalizing and murdering fellow human beings. To this, we collectively and loudly proclaim NO MORE.
The murder of George Floyd was an unmitigated and horrific tragedy that has brought shame to our community. Without question, it was a complete failure of any form of moral decency or the most basic expressions of humanity by officers who have taken an oath to “serve and protect”. The eyes of the world are now upon us. How we come together to permanently rectify this situation and prevent it from happening again is now paramount. However, we must first acknowledge that this unspeakable act of evil is not new, that in fact, it is a recurring problem suggestive of a deeper systemic sickness.
The MPD has a long history of violence against indigenous people and people of color. The American Indian Movement was founded in Minneapolis in 1968 as a direct response to unchecked brutality being perpetrated by the Minneapolis Police Department upon our community members. In 1992, two members of our community were forcibly constrained into the trunk of a Minneapolis Police Cruiser. In 2008, the officer who killed George Floyd, Officer Chauvin shot and wounded an individual during a domestic violence call, and then again in 2011, Officer Chauvin shot and injured a man at Little Earth. In 2015 Jamar Clark was murdered at the hands of the Minneapolis Police Department. Sadly these are just some examples of many such incidents.
Still, in 2020, the MPD are openly murdering black and brown people in broad daylight without hesitation, and without any concern from the open shouts of local bystanders who pleaded for the life of Mr. Floyd – who were in essence pleading for the lost humanity that had apparently vacated the four responding officers. And these are only the most high profile symptoms of the spirit of hate and racism in our police department. There have been so many more instances that while not making the papers, left undeniable scars on our people. No more. We demand action and improvement, nothing less.
Read the rest of the letter on the MUID website.
A Message from NACDI & All My Relations Arts Regarding COVID-19
We hope that you and your families are well during this time of the pandemic. It is time for our community to support each other, even when that means being apart. For us, that means putting the health of our relatives first.
Since March 12th, NACDI/AMRA staff has been working remotely. We have canceled all in-person events and gatherings. We are working to support essential responders, and to shift as much programming as possible to online platforms. We are prioritizing redirecting funds to support Native artists and entrepreneurs while planning for our collective brighter future post-pandemic.
Please follow us on social media and visit our websites to stay up to date on our activities. Please feel free to reach out.
Pidamaya and Miigwech,
The NACDI and AMRA Staff
If you would like to reach us, please contact:
Robert Lilligren, firstname.lastname@example.org
Ed Minnema, email@example.com
Angela Two Stars, firstname.lastname@example.org
Alex Buffalohead, email@example.com
Elizabeth Day, firstname.lastname@example.org
For Immediate Release
February 14, 2020
Administrative Assistant Job Description
NACDI is a non-profit community development \ organization working specifically with the American Indian community in the areas of community and economic development, planning, training and education, research, and technical assistance. All My Relations Arts is an initiative of NACDI and serves as an arts program and gallery space. AMRA provides both American Indian and non-Indian audiences broad access to quality American Indian art. We offer arts education programming, community events, and quarterly exhibitions.
Job Summary: Performs administrative support for the organization as a whole. Assists with various administrative tasks, such as budget preparation and control, filing and recordkeeping, preparation of materials and minutes for the Board of Directors, and other special projects as assigned. Handles routine correspondence and other requests for information. Compiles, stores, retrieves and reports organizational data as needed. May coordinate bulk mailings.
REPORTING PROTOCOL: NACDI President and CEO
Main Job Tasks and Responsibilities
answer, screen and transfer inbound phone calls
receive and direct visitors and clients
general clerical duties including photocopying, fax and mailing
maintain electronic and hard copy filing system
retrieve documents from filing system
handle requests for information and data
resolve administrative problems and inquiries
prepare written responses to routine inquiries
prepare and modify documents including correspondence, reports, drafts, memos and emails
schedule and coordinate meetings, appointments and travel arrangements for managers or supervisors
prepare agendas for meetings and prepare schedules
record, compile, transcribe and distribute minutes of meetings
open, sort and distribute incoming correspondence
maintain office supply inventories
coordinate maintenance of office equipment
coordinate and maintain records for staff, telephones, parking, and petty cash
Education and Experience
computer skills and knowledge of relevant software
knowledge of the operation of standard office equipment.
knowledge of clerical and administrative procedures and systems such as filing and record-keeping
knowledge of principles and practices of basic office management
communication skills - written and verbal
planning and organizing
problem assessment and problem-solving
information gathering and information monitoring
attention to detail and accuracy
customer service orientation
Salary: $38,000.00 plus benefits
Closing Date: Open until filled
Qualified applicants please send a cover letter and resume to email@example.com
For Immediate Release
Nov. 8, 2019
Native American Community Development Institute
All My Relations Arts
All My Relations Arts - On-Call Exhibitions Preparator
NACDI is a non-profit community development organization working specifically with the American Indian community in the areas of community and economic development, planning, training, education, research, and technical assistance.
All My Relations Arts is an initiative of NACDI and serve as an arts program and gallery space. AMRA provides both American Indian and non-Indian audiences broad access to quality American Indian art. We offer arts education programming, community events, and quarterly exhibitions.
AMRA is soliciting RFQ’s for work to be performed on an on-call basis for the duties of an Exhibitions Preparator.
Perform all duties as assigned in relation to exhibition preparation; including but not limited to, installation, de-installation, packing, exhibition design and construction under the direction and supervision of the AMRA Director.
Works on the installation, de-installation of AMRA gallery and Mni Art Wall exhibits, including lighting the exhibition, exhibition vinyl, labels, and outdoor banner.
Assist in the preparation of galleries for installation including wall painting, wall preparation, construction, framing, drywall installation, and general light carpentry.
Moves object cases and other exhibit furniture
Installs art in all media using accepted AMRA gallery standards and practice
Maintains compliance with OSHA and ADA requirements
Construct an artwork storage system for incoming/outgoing artwork and packaging.
November 16th: Install photography exhibit, “Well That’s Different” on Mni Art Wall,
November 16th: Deinstall Changing Horizons Banner
November 16th: Install past exhibit framed posters in NACDI offices.
November 25 - 27th: Install Foresight Exhibition
Ability to climb ladders and scaffolding; ability to lift up to 50 lbs; ability to stand for long periods of time; ability to use eyes and hands to examine and handle delicate objects.
Knowledge of museum standards regarding the care and handling of objects.
Minimum of two years of experience with the care and handling of fine art objects in a museum or gallery setting.
Available to install nights and weekends
Work without impeding NACDI staff office space
Carry your own liability insurance
Must be able to provide own installation equipment, i.e. tools, ladder, construction material.
Excellent math skills
Skill in the use and care of hand and power tools.
Excellent communication skills with the ability to identify problems and resolve them quickly so that installations can function smoothly.
Ability to work effectively in partnership with people of diverse cultural backgrounds;
Sealed bids will be accepted until November 14th at 5:00 pm. All bids will include:
Estimated hours and cost quotes for work to be performed.
Proof of Insurance
Contact information for 3 references with knowledge of previous work performed
Please email bids to firstname.lastname@example.org
For Immediate Release
May 8, 2019
Native American Community Development Institute (NACDI)
Announces New All My Relations Arts Director
Minneapolis, Minnesota — NACDI and All My Relations Arts President and CEO Robert Lilligren announces the appointment of Angela Two Stars as the new Director of All My Relations Arts. Angela brings over 10 years of experience as a visual artist and has broadened her skills as a curator and public artist in the Twin Cities.
Angela is an enrolled member of the Sisseton Wahpeton Oyate and received her BFA from Kendall College of Art and Design in Grand Rapids, MI in 2017.
“I am incredibly honored for the opportunity to serve the community as Director of All My Relations Arts. My connection with All My Relations Arts has progressed as I began my career as a practicing artist in the 3rd installment of On Fertile Ground at All My Relations Arts. I am excited for this next step in my journey. I am committed to furthering the vision of NACDI by increasing the visibility of American Indian art and providing broad access to quality art exhibitions that promote the historical understanding and contemporary strength of American Indian artists.”
Angela Two Stars has continued her involvement with All My Relations Arts as Curator of the powerful show “Bring Her Home: Stolen Daughters of Turtle Island” that raises awareness of the issues around missing and murdered Indigenous women (MMIW). Two Stars has also produced Dakota language and cultures public art on the shores of Bde Maka Ska.
Robert Lilligren, shared his excitement for the newest NACDI staff member, “Angela’s arts experience, working with Native youth, and curating the past work at All My Relations are important assets that align with NACDI’s mission. I am excited to see what her vision, talent, and commitment brings to our community and organization.”
NACDI Board of Directors Chair, architect Sam Olbekson adds, “We are confident that Angela’s vision will continue to help take our arts program to its next level under her leadership.”
Two stars will officially start her position as the All My Relations Arts Director, on May 20th, 2019.
Native American Community Development Institute (NACDI) is an American Indian community development intermediary organization ‐ the first of its kind in the Twin Cities metropolitan area. NACDI believes all American Indian people have a place, purpose, and a future strengthened by sustainable community development. NACDI’s key projects include the development of the American Indian Cultural Corridor, management of All My Relations Gallery, and catalyzing the implementation of the American
Indian Community Blueprint.
All My Relations Arts Gallery (AMRA)
Operates the All My Relations Gallery, Minnesota’s premiere American Indian owned and operated contemporary fine arts gallery. Situated on Franklin Avenue in Minneapolis, the gallery resides within the heart of the American Indian Cultural Corridor. AMRA serves a very distinct role in NACDI’s community development work, providing the public with education about American Indian history, culture, and contemporary experiences through the arts.
For Immediate Release
March 7, 2019
Native American Community Development Institute (NACDI) CEO
Joins Metropolitan Policymaking Body
Minneapolis, Minnesota — On Wednesday, March 6, NACDI President & CEO Robert Lilligren (White Earth Ojibwe) took the oath of office along with 15 others from around the region as a member of the Metropolitan Council. Lilligren will represent Met Council District 7 which comprised of North and South-Central Minneapolis and the City of Robbinsdale.
The Metropolitan Council is the regional policy-making body, planning agency, and provider of essential services for the Twin Cities metropolitan region.
The Council's mission is to foster efficient and economic growth for a prosperous region. The appointments were made by Governor Walz with the support of Lt. Governor Flanagan, from of over 200 applicants. Lilligren is the first enrolled Tribal citizen to serve on Met Council in its 50-year history.
After being sworn into office, Lilligren was affirmed by a unanimous vote of his colleagues to the position of Chair of the Met Council’s Community Development Committee. The Council's Community Development Committee addresses issues involving development and implementation of the regional comprehensive plan (Thrive MSP 2040), Metro HRA operations, Livable Communities Act grants, and regional park plans and grants.
“I am honored to be appointed by Governor Walz and Lt. Governor Flanagan to this position, where I will be able to serve the region, my district, and my community,” says Lilligren, who continues as NACDI’s CEO while assuming the part-time Met Council role. “I am committed to bringing Native values of respect for place, land, water, and people to regional policy-making.”
Lilligren, who served for 12 years on the Minneapolis City Council and currently serves as Chair of the Metropolitan Urban Indian Directors (MUID), sees direct connection between his work at NACDI, at MUID, and on the Met Council. “My goal is to bring greater equity of opportunity, especially economic opportunities – through our regional investments,” says Lilligren.
The Chair of NACDI’s Board of Directors, Sam Olbekson expresses his support for Lilligren’s new leadership role. “We are excited to see Robert broaden his public service with this appointment to the Met Council. As Chair of the Community Development Committee he will be well positioned to advance the American Indian Cultural Corridor project, as well as other regional place-based community development,” says Olbekson, We are proud to see the first Native member on the Met Council."
The newly inaugurated Met Council is the most diverse in its history. The appointees include seven people of color or indigenous people (POCI), seven women, two incumbents, and two immigrants. This bipartisan group includes former and current local elected officials, business owners, community organizers, arts and education professionals, and more.
Native American Community Development Institute (NACDI) is an American Indian community development intermediary organization – the first of its kind in the Twin Cities metropolitan area. NACDI believes all American Indian people have a place, purpose, and a future strengthened by sustainable community development. NACDI’s key projects include the development of the American Indian Cultural Corridor, management of All My Relations Gallery, and catalyzing the implementation of the American Indian Community Blueprint.
For Immediate Release
Native American Community Development Institute Will Lead and Develop Community-Led Strategies to Address Homelessness in the Minneapolis Native American Communities
Minneapolis, Minnesota - The Bush Foundation granted Native American Community Development Institute (NACDI) an Innovation grant for the WiiDooKoDaaDiiWag “They Help Each Other” (THEO) project in response to the Franklin Hiawatha Encampment.
“Due to NACDI’s history and depth of relationships, we found it to be well-positioned to lead a problem-solving process and begin to identify solutions to conditions of homelessness in the Native community,” said Rudy Guglielmo, who serves as a Community Innovation Program Manager for the Bush Foundation.
In the summer of 2018, a small cluster of tents appeared near Franklin and Hiawatha
Avenues in Minneapolis and grew rapidly. By September 2018, 300 to 400 people, primarily Native, lived there in over 150 tents. The Metropolitan Urban Indian Directors (MUID) came together with the community to identify immediate needs and redirect their resources in response. Community allies mobilized to direct outreach and support for the encampment.
NACDI and MUID are recognized by community and the City of Minneapolis as intermediaries to engage the public and private sectors and other organizational and community partners. Community allies quickly mobilized direct outreach and support at the camp. Collectively we will seek and create long term strategies to the homeless and issues contributing to the creation of the encampment, and innovative ways to address the historic, systemic challenges in the Native community.
“At the Bush Foundation, we believe NACDI’s ability to collaborate and engage the community can result in shared ownership of solutions to conditions causing homelessness in the Native community,” said Guglielmo.
THEO was created to support NACDI, MUID and Allies to continue to aid Native people to achieve their self-determined goals successfully, through broad community organizing and engagement process. This led to the closing systematic gaps in access, policy, practice, and programing to improve the condition for homeless Native people.
Native American Community Development Institute (NACDI) is an American Indian
community development intermediary organization - the first of its kind in the Twin Cities metropolitan area. NACDI believes all American Indian people have a place, purpose, and a
future strengthened by sustainable community development. NACDI’s key projects include the development of the American Indian Cultural Corridor, management of All My Relations Gallery, and catalyzing the implementation of the American Indian Community Blueprint.
At the Bush Foundation we invest in great ideas and the people who power them. We encourage individuals and organizations to think bigger and think differently about what is possible in communities across Minnesota, North Dakota, South Dakota and the 23 Native nations that share the same geographic area.
The Foundation was established in 1953 by 3M executive Archibald Bush and his wife, Edyth. Inspired by the Bushes’ desire to build their community and encourage innovation, the Foundation has invested more than one billion dollars in grants to thousands of organizations and individuals.
For more information: Bushfoundation.org
For Immediate Release
February 22, 2019
Ed Minnema, NACDI Chief Operations Officer
All My Relation Arts Recognizes Wakemup Leadership
Minneapolis, Minnesota —All My Relations Arts Gallery announces the departure of its Director, Rory Wakemup on February 22, 2019. Rory has been a dynamic presence at the Gallery since starting as Director in August 2016. His tenure as Gallery Director has been known for increasing the number of Native youth visiting All My Relations Arts, and for intense community involvement at the intersection of art, organizing and activism.
“I am grateful for the many opportunities for artistic and professional development that being Director of All My Relations Arts created for me,” says Wakemup, “I feel I am leaving on a high note, with much greater awareness of where and how I can best serve my community.”
A highlight of Rory’s time at All My Relations Arts was the gallery show called “Bring Her Home: Stolen Daughters of Turtle Island” that concerned issues of missing and murdered Indigenous women (MMIW). Wakemup had the original concept for the show and then worked quickly to involve a team of Native women to bring it to reality. Guest Curator for “Bring Her Home”, Angela Two Stars says, “Working with Rory on this show was important to me personally and professionally. I am so grateful for the opportunity!” Bring Her Home will continue as an annual event. The partnerships formed and the high levels of community involvement in its related programming are hallmarks of Rory’s time at All My Relations.
Other highlights of Rory’s time at All My Relations were his involvement in the community response to Walker Art Center’s installation “Scaffold”, the founding of the annual Indigenous Peoples Day Art Festival on the American Indian Cultural Corridor in South Minneapolis, working with the Indian Education Programs of Minneapolis and St. Paul Public Schools to get more Native youth involved in arts activities, and in 2017 All My Relations Art Gallery being named one of City Pages’ Best of the Twin Cities in 2017.
The Native American Community Development Institute (NACDI), owner and operator of All My Relation Arts, will be hiring the next Director in the coming weeks.
For more information on the Director position please click here for the gallery job position.